Here's a very abbreviated version of my short story I wrote for Chris Killen's fiction course. I haven't written fiction in ages, so bear with me if it's rough. I read this excerpt the other night at our 'show and tell' night, had way more fun 'performing' it. Enjoy, and if you don't, well, go away.
Excerpt from "Ready"
The stereotypical squeal of the mic is a dead giveaway you’re not doing well.
Storytelling is one thing. But telling a story to make other people laugh is something entirely different. There’s pressure to be funny. You’re entertaining. You've told plenty of funny stories in your life. Don’t worry about the stunned silence from the darkened crowd.
Damn it. You know what happens when you express your hopes and dreams. You have to deliver. No wait, this is a favor. John said he was in a bind, and really appreciated it. So it doesn’t quite matter if you bomb. You’re just filling the time until the headliner shows up from his weekend-long tour ‘o booze. You’re jealous of him. Reward yourself by drowning your sorrows at the bar after your tell some bad jokes.
You’ve been nervous before, so it’s fine. But this sweat, oh no, not the sweat. Palm sweat that would make any prepubescent boy at a middle school dance feel better about his level of hygiene. Here comes the churning. Please don’t hurl. Funny, maybe. But your chances of meeting anyone or getting laid after this would be completely shot.
“So uh, is anyone here a college kid?” Of course they are, dipshit. They’re at a university comedy club. Stereotypical brick backdrop, the faint smell of Jaeger and vomit, seating only about 35 people and their forced two drinks. Only college students would stoop to this level of cheap entertainment.
“Boo.”
Do people still actually “boo?” That didn’t die out in the nineties? Don’t get down. Keep going. And then after the show find that bastard in a dark alley and kick his ass.
“Yeah, I’m a college kid. I find it really hard to take tests. Especially, ha, uh, the pregnancy ones…”
A murmur of laughter. Enough to find a little more voice.
“Yeah, there’s no way to just go in and buy one of those either, it’s so conspicuous. And you know you’ve hit rock bottom when the cracked out girl at the drug store is giving you the judgmental eye.”
Nothing. Not even a pity giggle. You’re losing them.
Time is dragging by at this point. Five minutes is forever when you’re bombing on stage. It sort of feels like you’re in slow motion and every second of silence makes you want to flee. Every second of silence is a disappointment to your mother; the one person who always thought you could do more. Do anything. There’s no real way of recovering on your own.
You’re staring at them and they’re staring right back, their watered down drinks beginning to sweat through the paper tablecloths, give each table a cluster of wet rings. John puts his face in his hands and shakes his head. He’s clearly regretting giving you a call to begin with.
More awkward silence. You can’t do anything about it. One last anecdote, then run off stage. Run away from comedy. Should have gone to law school. Should have gone to college. Anything with more stability and less embarrassment than this.
“So uh, I just have one more story for you all, then I gotta get off stage.” Yes, you do.
“Oh thank god!” One lonely voice emerges from somewhere in the darkness. It’s the Boo Guy. You knew this day would come. You’re about to get heckled.
“So this is a story my brother loves to tell about me…
“Is he funny? Can we talk to him?” Of course, Boo Guy gets a laugh. Sure, make fun of the girl who can’t seem to stop sweating. Tina Fey never had to go through this shit.
“…it’s a little embarrassing. But I’ll tell you all anyway. So I wear contacts—“
“Doesn’t make you funny!” Alright, enough. Go after this guy and make him cry. Operation Make Boo Guy Cry.
“No, contacts might not make me funny, but they make me attractive. Something you’d know nothing about.” The crowd laughs a little. Admittedly, not your best comeback. But there’s more to come. Be ruthless. Be a bitch. Be funny.
“Well I ain’t going home with you, little lady!”
“Shit, I don’t think you’re going home with anyone tonight. Not unless girls now enjoy a fresh Old Milwaukee stain on a clearly un-pressed shirt and a receding hairline. Tell me, did Ted Nugent call for his leather jeans back, or did those come free with the body odor?”
Adrenaline. You’re running on pure adrenaline and reflex now. You’ve blocked out everyone but Boo Guy and the microphone. Finish him.
“I’ll tell you what, I’ll give you a dollar for all the times you’ve gotten laid in the past month. With a living breathing person, your hand and dolls don’t count.”
He’s stunned. You’re tense. Your heart is pounding through your chest; your flop sweat has ceased. Eyes dilated, muscles strained, you’re like a lioness circling the newborn wildebeest, ready at any second to lash out and make the kill. You’ve blocked everyone out except for Boo Guy and John. John is now standing in the back, hands in pockets, mouth open and staring. You know he’s impressed, though. He’s mortified and impressed.
“Alright, ladies and gentleman, that’s all the time I have. Thanks so much for having me, give a big round of applause to my friend here in the third row. You can find him later tonight at the Waffle House, gorging himself on the “I’ll be single forever” platter. Goodnight!”
Winding through the crowd behind John, you make brief eye contact with Boo Guy.
“Hey,” he mutters.
No eye contact.
“Good show.”
other blog: http://cnwsummerschool.blogspot.com/
And look at Chris Killen's website: http://www.thebirdroom.org.uk/
Shameless promotion.
S